Reading Aloud

The other night I was invited, along with Glenda, Anne and John, to Durfort to British Anne and Peter’s house for a “poetry reading”. Hey, I though, I can do that!

There are regular poetry readings in Sonoma County back home in California, where I have read at the Lit Cafe and the Literary Guild's readings in the City Council Chambers at City Hall in Healdsburg, and at the Valona Deli in Crockett. I have read my poetry in locations as various as Shakespeare & Co in Paris, the Café Kafka in Vienna, a family re-union at Roaring River State Park in the Ozarks, and Fort Casey on Whidbey Island.

I am used to keeping to the time limit, to sharing the stage with other writers, to listening respectfully to other people's work and applauding equally for each reader. I looked through my poems and picked out two new ones I was interested in trying on a new audience and an old favorite, requested by Glenda. I pulled out my new, acid green scarf, put on a nicer pair of shoes, fluffed my curls and packed up a chilled bottle of rosé to contribute to the pizza dinner.

We carpooled over; Durfort is the next little village to Soreze and is a lovely walk of an afternoon, but the path is a bit steep and dark to walk home at night. We parked by the church and made our way along the sky blue ribbon of water in the street to the worn, sea green door, rang the old school bell and mounted the double spiral staircase to the second floor.

We were the only literary audience for the evening; it was simply the four of us from Soreze, along with Anne and Peter. They had set up a table facing the balcony and covered it with some twenty-five poetry books that they have with them in what is mostly a summer house for them in Durfort. Peter had put on a pressed white shirt and festive vest, Anne a nice black sweater. We chose numbers out of a bowl to decide reader order, toasted each other's health with a glass of Kir (French cocktail made with a measure of crème de cassis, blackcurrant liqueur, topped up with Blanquette de Limoux, the Lanquedoc region lower cost answer to Champagne) to kick off the proceedings and began the first of three rounds of reading.

John Norton (no relation) read from his poetry book, Air Transmigra, just out from Ithuriel's Spear small press in San Francisco. (click here to read it on Google Books) The painting on the cover as well as the portrait of the poet on the back cover are by Anne Subercaseaux.

I read each of my three poems in turn. Glenda brought a well worn poetry compendium and read selections from it.

Anne and Peter had bookmarked some favorites to share and we each dipped into the books on the table, hearing from Edward Lear, Rudyard Kipling, Shakespeare, James Joyce, Walt Whitman and more.

We ate pizza and drank wine and then went back to reading aloud.

I love sharing books with family and friends by passing them on and/or reading the good parts out to them. I started reading to my kids when they were tiny. My Dear Daughter is reading "Swiss Family Robinson" to the Corn Tiger as his bedtime story, started when he was about a week old.

I think a lot of us who come to this region of France are attracted to a simpler life here. I'll take an evening reading aloud in the parlor with friends over a brain branding session in front of commercial TV any day.

One of the poems I read, which is becoming a crowd favorite and was published this year in CALYX, A Journal of Art and Literature by Women, in their Winter 2010 issue, is "Warm Ripe Figs", which you will find below.

Remember to read aloud, especially to those kids!

Bises,

N2

Warm Ripe Figs

You’ve long been attracted to the young ones

with firm pink flesh, with just a hint of green

so perfect and unblemished there on display

only to taste at first bite the acrid 

bitterness of fruit picked too soon.

When will you learn to reach

for the wrinkled ones

with just a bit of heft

with the right drooping sag

those that have been 

hanging on

soaking up sun

unnoticed by bird or man

until filled with a mature

musky sweetness.

Pluck a warm ripe fig.

Put your nose close.

Pull the flesh open.

Stick your tongue in.

N2

20080216

Young Love

Time is a flyin by here. Met up with the Dear Daughter and Corn Tiger a week ago to introduce him to my friend Anne before she flew the coop for France. She left this past Wednesday. See what I mean about time and flyin?!


Anne and I have led somewhat parallel lives -- oldest daughters of large families with three boys (hers, 6 kids, mine, 10), still occupying the same apartments we moved into in SF in 1976 (hers in the Inner Mission, mine in the Richmond district), and have both been spending some months in southwestern France for the past few years, in the same little village of Soreze (look up in the right corner of ye blogge; I changed the slide show to give you a glimpse of the village).

Due to different schedules of residence in that little village, we just met in France last year, and have since been meeting up in San Francisco while we have both been on this side. Anne is a talented painter and you can get a feel for her work at her website: Anne Subercaseaux


Didn't even get to see my Little Love in person last week (this photo is from the week before), only talked to him on the phone with commentary by the Daughter. He is very talkative for such a little guy, not quite 4 months old now, but then, he is growing as fast as weeds in the summer garden.

And he already has his first crush, on his beautiful mom. You can see it in the look on his face in the picture below. Doesn't that look just say "Ah, there she is, the One!" And, of course, the feeling is mutual, you can see that too.

I went by to see them on my way out of the city. Corn Tiger was nappin on the boob, but woke up while his mom I were talking. They share that same coppery shade of red hair. (Six out of ten kids in our family had red hair, contrary to the "recessive" nature of that gene, and CT's dad has red in his beard.)

And the love! Oh My Heart! Gotta get my hands on those two this week.

Warm Baby Hugs!

x0

N2

Vernissage de notre amie Anne Subercaseaux

Another event on the list of activities this past weekend was the vernissage of one of the ExP ladies of whom I had heard for some years, but only met this year, Anne Subercaseaux.

A vernissage is the name given to the opening of an art exhibit, usually a reception with the artist(s). According to the fr.wikipédia, calling this type of reception a vernissage (literally a varnishing) derives from the past practice of painters to lacquer their paintings after they were already hung for exhibit at the Salons of Paris, before the general public was allowed in.

The poster (l'affiche), above ( for the inauguration of the joint residence of the artists in Soreze) lists the three women taking part in the exhibit at the Atelier du Pont Vaillant, Catherine Huppey and Josée Catalo as well as Anne. Each one has a strong style very different from the others.

Above, Josée Catalo on the left with her sculpture center and Anne Subercaseaux, far right.

Josée's child's head sculpture with two of Anne's paintings from her

series "Reflections on Crossing" to the right of the sculpture.

More of Anne's "Reflections on Crossing" paintings with Josée's smaller sculptures in the front.

Catherine Huppey left and her paintings, right and below.

It was superb to see the powerful works of these three women on display together in one artful space here in our petit village.

Une autre partie de notre week-end culturel en France profond.

Bisous,
N2